about

Photo credit: Kaitlin Chow 

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Megan Mizanty is the artistic director of MizantyMoves Dance Works.  Her dances bridge live sound with movement, entangling these disciplines with collaboration at its heart. Megan is currently an Assistant Professor of Dance and the Assistant Director of the Master in Fine Arts Program at Wilson College.  As the co-founder of Project Trans(m)it, Megan co-directs this international research project with other global dance artists, exploring dance composition over long distances via technology. She has performed internationally with the group,  and Project Trans(m)it has produced two dance film festivals, both in London and Philadelphia.  Megan has danced with companies in New York and Philadelphia, including Birds on a Wire Dance Theatre, Improbable Stage Productions, LINKED dancetheatre and toured with Matthew Frazier-Smith Dance.  She received a BA in English Literature from Ithaca College, and an MFA in choreography and performance from Temple University.  Megan was a Stanley J. Wertheimer Fellow at Mark Morris Dance Center, where she was certified as a Dance for Parkinson’s Disease Instructor. Megan was a Dance in Leadership Scholarship recipient from Dance/USA, awarded by the Andrew Mellon Foundation, as well as the 2017 Linda Rolfe "New Writer's Prize" from Routledge Publications, from her research with Project Trans(m)it.  Her past choreographic works have been commissioned by Susquehanna University, Temple University, Lycoming College, Marywood University, Dickinson College and more.

 

Artist Statement

Collaboration and sound is central to my work.  I entangle words, acoustics and bodies, considering the specific people in each process and the stories they bring.  I observe and unravel my self/other perceptions of the world through deconstructing movement&sound.  These elements, to me, are inextricably connected and informative to one another.  How does sound enable new qualities of movement?  How does movement shape melodies, soundscores and words?  Informed by tertiary influences in literature, politics and social activism, I am a busy brain and body.  Influenced by years of study in ballet, modern release technique and contact improvisation, I view movement/sound as an exciting and ever changing place of possibility.  

Photo Credit: Lisa Rhinehart